
Gabriel Acevedo Velarde
Escenario,
2005, Video, 3mins, still

Gabriel Acevedo Velarde
Escenario, 2005, Video,3mins, still

Gabriel Acevedo Velarde
Prehistoria, 2005, Video, 30 mins,
still

Gabriel Acevedo Velarde
Prehistoria, 2005, Video, 30 mins,
still

Gabriel Acevedo Velarde
Prehistoria, 2005, Video, 30 mins,
still |
 |
GABRIEL ACEVEDO VELARDE
born Lima, Peru,1976 lives and works in Mexico City
Gabriel Acevedo Velarde’s video work is groundbreaking and refreshingly
different. Not unlike William Kentridge’s work it is based on the
artists own accomplished drawings, which are brought to life with the
camera. This is, however, where comparisons end. Animation is a rare
and quite new form within the arts, particularly when it is derived from
classical drawing. The soundtrack is without dialogue, so the narrative
unfolds largely visually.
Acevedo’s distinctive figures tell the artist’s own parables
of society and the human condition. Pre-historia, a 30 minute film made
from a storyboard of quick drawings on paper is filmed in a raw style,
revealing the tape-marks where the paper is held in place. As a conceptual
device it functions to expose the creative process and it also serves
to remove the viewer one step from the experience of the unfolding narrative.
Despite the conceptualisation, the narrative itself is so explosive that
eventually the viewer no longer sees the technique and becomes emotionally
drawn into the story. Pre-historia is a dark and twisted version of the
Adam and Eve story. It commences with a plane crash, reminiscent of the
well documented crash in the Andes 1972, where cannibalism among survivors
is said to have occurred. The lone survivor is our protagonist who finds
unconventional ways of cloning himself without the aid of Eve. The clones
become a growing group as they replicate themselves and eventually resemble
a small tribe. The tribe, created unnaturally and on the background of
desperation turns out to be vicious and ungrateful to their creator.
The film’s narrative has astounding moments of humour and also
bizarre horror and yet it is a very astute portrayal of the human condition.
Escenario, a second film which is literally one scene lasting 3mins,
is a fully executed animation. The figures are resembling our protagonist
in Pre-historia, a recognizable cipher for a human in Gabriel Acevedo’s
signature style. Again a group/social dynamic is examined as a surreal
scenario. People are guided on a stage, where they are hit by blinding
light and upon falling are escorted back off the stage where the join
the jostling crowd in the dark. Escenario is a cautionary tale about
vanity and herd-like behaviour.
Further video pieces will be on monitors giving an overview of the prolific
and powerful practice of Gabriel Acevedo Velarde.
The exhibiton runs parallel to the exhibition on Brazilian culture at
the Barbican gallery, which will highlight the strength of new art coming
from South America.
Gabriel Acevdo Velarde ( * 1976) lives and works in Mexico City and Sao
Paolo. He studied in his birthplace Lima, Peru and has shown across South
America. The artist is also represented by OMR gallery ,Mexico City and
in Brazil by Galeria Leme, Sao Paolo. . |